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Showing posts with label documentary. Show all posts
Showing posts with label documentary. Show all posts

Sunday, July 10, 2011

Fat, Sick & Nearly Dead

Most of you know I've worked on documentary television and films, as well as  other random commercial, scripted feature, and reality television projects.

People who work in film and television can often become a bit critical of their audio-visual entertainment. It makes sense: if you know what goes on behind the scenes, you're more likely to be critical when something isn't done well. Like a chef at a shitty restaurant, you want your entertainment to be good and when it's not, it's frustrating.

But to be honest, as much as I can be critical of movies and television, I've also tried to relax a bit and just enjoy my viewing pleasures.

A rare gem in the documentary world is to find a documentary film that is both informative and really entertaining. Supersize Me is a great example of a film that accomplished this. Michael Moore does it sometimes. Religiosity did it mostly.

But the most recently documentary film that has caught my attention (thanks to Marcus who found it for us) is called Fat, Sick & Nearly Dead. And it just so happens to be streaming (recently released) on Netflix!

I highly recommend you see this movie. I won't give too much away other than it's about a dude who was fat, sick and nearly dead, and his journey of healing and transformation.

If you don't have netflix, try these links to view a streaming copy on your computer, or you can go to the movie's website: http://www.fatsickandnearlydead.com/ and support the filmmaker by buying a DVD.


http://www.letmewatchthis.ch/watch-1926963-Fat-Sick-and-Nearly-Dead



Please let me know what you think.


Here's to your health!

Friday, August 6, 2010

Fuel

Fuel is definitely a must-see documentary.

Educational and entertaining. Also, it was featured at Sundance and won Best Documentary in 2008. Sundance tends to choose great and compelling films, especially documentaries. (Like Nanking from 2007!)

At times frightening, Fuel is definitely a necessary and important film, especially since one of the things that perpetuates our dependence on foreign oil and subsequent pollution (oil spills included, since they wouldn't exist if we weren't so horribly dependent upon oil for fuel & products) is being in the dark - unaware and uneducated about the history and what is going on. Fuel helps fill in a lot of the information we every day people don't know.

Let me know what you think. Here's the trailer, but see the whole movie. It's on netflix instant-view as well as DVD subscription.

Enjoy!

Saturday, July 10, 2010

Nighaaa, beef! Moo!

A few years ago, I spent a month in China working on a documentary feature. The film was called Nanking and overall it was a very positive and eye-opening experience.

But this blog is not really about the documentary, though I probably should write a blog about the film. This blog is about beef jerky, sharing, and crossing language barriers.

With the exception of our translators and a lead PA/2nd2ndAD, the majority of the crew we hired in China did not speak English. All I can say is, the translators were an absolute necessity. Thank God for them.

We had several Americans that we traveled to China to work on the film. One of them was our Camera Assistant Anthony, who I've worked with and seen only sporadically throughout the last 8 years. Great guy. Great sense of humor.

So, we're filming in a relatively thin-walled building that doesn't have enough space for Anthony, myself (I was line producing but realistically, I was doing the call sheet, budget, and sort of managing the Chinese and American crew so who knows what my proper title was - Line Producer is sufficient, I suppose). Anyway, I was outside with Anthony and the Chinese gaffer, whose name I unfortunately cannot remember. We (the Americans) nicknamed him Palak Paneer because he spoke mandarin with what sounded like, to us, an Indian accent. Inappropriate? Maybe. Funny? Definitely.

So, Palak Paneer is sitting in the grip truck, a Vanagon looking thing that was really more of a van than a truck; Anthony and I are hanging around outside.

Palak Paneer leans out the window with a bag of something that resembles dried leather strips and gestures to Anthony. Then he whispers, with his Indian-sounding mandarin accent/broken English/mandarin. "Ant-tony, Ant-tony...Nighaaa, beef! Moo!"

Anthony and I immediately busted up laughing. Firstly because the words were so funny. Secondly, because it was so damn cute and funny with Palak Paneer hanging out the van window in a generous attempt to share his beef jerky. Also, just in case he didn't have the name right, he made the animal sound - "Moo" so we would be sure to know what animal product he had in his hand. The word "nigha" as I understand it, translates to "this" so you'll hear it often in mandarin conversations.

Immediately I felt bad for using the nickname Palak Paneer and vowed to learn how to pronounce his proper name.

The moral?

Share your food. In your language, or your friend's language. It actually doesn't matter, the message will come across.

Nigha, beef! Moo!

Monday, May 31, 2010

Memorial Day Dreams



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Last night I had one of the most unexpected dreams I've had in a while.

Here's the background of the players:

I was working for this guy, Jeremy, who I worked for in 2008 for about 2 months. Jeremy was a friend of mine and he had hopes of selling his company to me when he retired (with the money I'd make as his protege), as he liked me, and thought I'd do the job well. It was in music business, by the way.

Well, I did not like the job and the job did not like me. It might've had something to do with his #2 guy, who was unclear and difficult to work with - for me at least. It might've had something to do with the fact that a lot of my professional life has been spent working behind the scenes in television and film. Some may think the tv/film industry is crazy and weird, but it is usually organized. At least the stuff I work on which tends to be fully-funded, documentaries or commercials that are actually seen by more than family and friends. No offense intended to the low-budget stuff, but I've heard the low-budget productions are beasts of disorganization and disgruntlement. From what I understand this usually arises from giving too many inexperienced people jobs they don't know how to do. The ones who are experienced can't always tame the beast to make things run smoothly, so there are lots of snags and unforeseen obstacles.Well, the music business made the television and film business look ethical, organized and sane. (At least that's how it felt to me.) Ultimately, I left the job. Jeremy and I, unfortunately, haven't really hung out since then. But he pops into my mind from time to time, and I miss his friendship. He's crass and hard-nosed, but ultimately a good, smart guy with a great, albeit sick, sense of humor.

Here's the basic run-down of the dream:

I was working for Jeremy again, only I was hired by a few of the guys that I hired as interns during my brief stay in his company. Jeremy was out of town. His #2 guy was no longer with the company. There was something about that in the dream. Oh, yes. There it is. (I had to dig it out of my dream memory.) #2 was fired because he started using and dealing some sort of drugs again. No bueno. So anyway, I'm working at his company, sort of as the office manager or something (a job, for the record, I am not interested in), and all of us who worked there (a very pleasant bunch this time around), went to Jeremy's house to fix something up before he returned from his vacation. When Jeremy returned, this previously single and child-less man came home with a wife and child. The child was brown (which Jeremy is not, nor was his dream-wife), a la Sandra Bullock's adoption, and his wife was a 40 year-old woman who was gorgeous and retired rock-star or something.

The dream ended with me working at a tall, almost star-trek like station (but set in dark wood) that was 6 feet tall and like a command station. Well, this thing would not stop beeping. Like a truck backing up, beep.....beep.....beep.....beep. Every 3 seconds. I kept pushing buttons and I even turned it off and it still beeped! Turns out it was Marcus' dialysis machine signaling something wasn't working right and I had just integrated it into my dream.

I had to call Jeremy this morning to tell him about my dream. It was nice. I was a little nervous, but ultimately we had a nice little chat and we have tentative plans to get together next week. He has no brown child that he knows of, though maybe that's in his future.... The power of suggestion.

I plan on doing a full interpretation of this dream since I know how to do that now (part of hypnotherapy training), so I'll let you all know if anything interesting arises. I am curious to learn what my subconscious mind is venting or trying to tell me.

Maybe it was brought on by Memorial Day. I know Memorial Day is for remembering those men and women who died serving our country, but maybe my subconscious wanted to extend it to loved ones I've lost touch with. So, it gave me this dream to facilitate reuniting. Looks like my subconscious is my friend again, after only a few days of distention and resistance. Whew!

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Friday, May 7, 2010

Are you hungry for change? So is Food, Inc.


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Food, Inc. is a must-see documentary from the past few years. Others on my list are The Cove, Surfwise, This Film Is Not Yet Rated, and Good Hair, but I'll write more about the others in future blogs. My criteria for a good documentary, is that it be entertaining, first and foremost. In addition to entertaining, a good documentary must look good (have good cinematography and editing), which is a part of being well-produced, and have compelling characters. Here's the trailer for Food, Inc.





If you're even a little bit interested in what kind of food goes into your body, or how food and agriculture in the United States has started to look more and more like the 100% for-profit pharmaceutical business (heck, the FDA and the biggest pharmaceutical companies often swap CEOs and Directors - conflict of interest, anyone?), or an illustration of how farming has drastically changed in the past 50 years, then you should see this movie as soon as possible. 


Michael Pollan, author of Omnivore's Dilemma, which was named one of the ten best books of 2006 by both the New York Times and the Washington Post, appears all over Food, Inc., and rightly so. He seems to be one of the most informed people on all things business-disguised-as-agriculture. Also, author Eric Schlosser is featured in the movie. Between the two of these guys, they've done a ton of legwork around the food and agriculture industries, so we concerned citizens don't have to - we can just read their books.


See this movie. Food, Inc. At the very least, shop for most of your food at farmer's markets, cut back on high-fructose corn syrup, and when you do eat corn, please only eat organic.

 

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Saturday, February 27, 2010

Popping the question is better than porn!

My friends Carl & Jen got engaged today. Carl set up this full-on surprise-staged production. Both of their parents came to town (also a surprise), and we, their family and friends, gathered at The Silent Movie Theatre in Hollywood for the event. As a filmmaker, I suspect Carl wanted to have this surprise proposal at a film-able location. Also, he hid the surprise by claiming Jen and he were invited to a film festival screening of a short film they worked on. Anyway, the last time I stepped foot in The Silent Movie Theatre, prior to this afternoon, was six years ago while working on an documentary.

Picture it...

This is one of my first documentary film jobs in Los Angeles. Prior to this job, I'd done a very buttoned-up documentary television series on NBC about the court system in San Diego. I'd also worked on a few other random documentaries, and on MTV's Music Video Awards. But nothing prepared me for this one day of shooting in The Silent Movie Theatre in Los Angeles.

I'm working as a camera assistant on this documentary called Inside Deep Throat. Basically it's a documentary about Deep Throat, a pornography that was hugely controversial and subsequently popular (ban something and it usually grows in intrigue and popularity), and became the namesake of the secret informant of Watergate. The documentary is about the Ins and Outs of what was going on in and around Deep Throat in 1972...From the synopsis,
"It was banned in 25 states. The government didn't want you to see it. Deep Throat was more than just a titillating curiosity, it was the sexually explicit film that ignited a social and political firestorm. Inside Deep Throat examines the politics and the payoff, the porn stars and persecution of the cultural phenomenon that remains just as highly controversial today..." (click here for more)

But what's important for my story here is what we were filming at The Silent Movie Theatre some six years ago.

Like many documentaries, our crew for this shoot was very small. (In comparison, commercial shoots usually have a minimum of 40 crew members working on them.) There might've been six of us including the two co-directors, the Director of Photography, another producer-type, myself, and an assistant or two they called in from the office because they needed more bodies. Here's why they needed bodies...

(Keep in mind this is the first location of the day for us, with a call time of around 7am. Which in documentaries usually means we'll be shooting by 8am, 9 at the latest.)

The filmmakers wanted to re-create the original 1972 viewing audiences. Which means they were replaying the film on the big screen of The Silent Movie Theatre. After setting up the camera and lights, my presence was required as part of the audience. I was positioned next to one of the directors, who was supposed to look like my date to the movie, so at some point he puts his arm around me. Which wasn't so terrible because he was a very nice guy and was fully appropriate... though not as full as other things. All totaled, I believe we sat through one and a half viewings of this film. Full-screen, full-sex, full-70s-BUSH.

Now let me disclaim here that I think people should tend to their nether-regions however suits them best. Whether full, trimmed, landing-stripped or non-existent, I think it falls under some constitutional freedom (maybe an addendum to the first amendment?) that we have the right to express ourselves through how we landscape and present our body's most expensive and sought-after real-estate. But seeing 70s, full-bush in all it's glory in different positions in a hokey and over-lit porno film at 8am on a Tuesday was a little much for this newbie-documentarian Los Angeleno.

Somehow, I never found reason to step into The Silent Movie Theatre again.

Until today.

It was actually quite lovely. Jen was aptly surprised by the whole charade. She said YES. (Whew!) I think they both shed a few tears, as did a good portion of the audience (myself included - geesh I'm a softie). And afterward, we all got to celebrate their engagement and impending nuptials. All-in-all, it was a lovely afternoon and I was glad to be a part of it... Unlike my first trip to The Silent Movie Theatre.

Actually, that's not totally true. I was glad to be a part of Inside Deep Throat. It was a very interesting documentary to work on. Especially since we interviewed Gore Vidal, Hugh Hefner, and Bill Maher, just to name a few. But I will never forget the way I saw this movie, nor The Silent Movie Theatre for providing the venue for our doc. By the way, The Silent Movie Theatre is not so silent anymore. They've added sound to their theatre so we also got to hear the hokey 70s porn music after which all porn music is now modeled.

Thanks, Carl & Jen, today was better...by a large....

landing strip.


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